Last class Matthea asked about our relationship to the voice in our work, how do we dance with it? what does it look like? Mine and I are engaged in a bloody fight to the death. He/she is a grotesque, skinless, reptilian version of myself. Illustration by Sam Weber. It's a little more melodramatic than I'd like to be but what the hell...
Monday, February 14, 2011
My graphic novel poem by Sarah
Frame 3 (1st frame with bubbles) Bald man: You must be Johnny John John.
Nonbald man: Why yes I am!
Frame 4 Bald man: It says on the fronter that my coffee will taste like marbles.
Nonbald man: Oh, how interesting.
Frame 6 It's raining green jelly beans outside!
Frame 7 I wish I had some jellybean coffee...
Frame 8 OMG! My portfolio is talking! What?
Frame 9 Okay! I'm coming in! (Whistles as to an attractive woman on the street.)
Nonbald man: Why yes I am!
Frame 4 Bald man: It says on the fronter that my coffee will taste like marbles.
Nonbald man: Oh, how interesting.
Frame 6 It's raining green jelly beans outside!
Frame 7 I wish I had some jellybean coffee...
Frame 8 OMG! My portfolio is talking! What?
Frame 9 Okay! I'm coming in! (Whistles as to an attractive woman on the street.)
Sarah's book spine poems
Strange understanding
What happened to Amy?
flying at night
in the penny arcade
What are big girls made of?
Secrets of loveliness,
a weekend on the Concord and Merrimack Rivers,
glass, irony and God
The fact of a doorframe:
The world is round
today
What happened to Amy?
flying at night
in the penny arcade
What are big girls made of?
Secrets of loveliness,
a weekend on the Concord and Merrimack Rivers,
glass, irony and God
The fact of a doorframe:
The world is round
today
I Began To Imagine The Goats Were Meat
The book I was trying to think of that is told from the perspective of the witch in Hansel and Gretel is called The Magic Circle. I'm planning on rereading it if anyone wants to join me.
In searching for the book, I came across this. I wish Mrs. Gold was my third grade teacher. I particularly like the retelling of The Billy Goats Gruff.
And here's my slightly altered comic, based on a conversation with a five-year-old.
In searching for the book, I came across this. I wish Mrs. Gold was my third grade teacher. I particularly like the retelling of The Billy Goats Gruff.
And here's my slightly altered comic, based on a conversation with a five-year-old.
Sunday, February 13, 2011
book poems by amanda c.
The Voice at 3:00 A.M.
On Writing
Real Ghost Stories
What the Living Do
Birds of America
Living in Storms
fire to fire
Like Life
The Drama of Being a Child
The Shadow of the Wind
Ruined by Reading
on mystic lake
The Girl in the Flammable Skirt
Dancing in Odessa
Hopscotch
The Art of Racing in the Rain
Drown
American Psycho
If the River Was Whiskey
Night Out
Etiquette
Otherwise
The Hours
Talk Talk
Don't Let Me Be Lonely
Saturday, February 12, 2011
Book Poems
These are fun, I can't wait to do more:
I Used to Know That
To Kill a Mockingbird
rosie
In the Night Kitchen (,)
The Plague
Girl Interrupted
Phone Calls From The Dead
The Golden Mean
Since You Asked
Consider Love
Sunny Side Down
Gods, Graves, and Scholars
Call it Sleep
Ordinary People
White Noise
Waverley
Runaway Horses
Leaving Home
And here is the poem by Louise Gluck from my memorization:
The Rock
Insignia
of the earth's
terrible recesses, spirit
of darkness, of
the criminal mind, I feel
certain there is within you
something human, to be
approached in speech. How else
did you approach Eve
with your addictive
information? I have paid
bitterly for her
lapse, therefore
attend to me. Tell me
how you live in hell,
what is required in hell,
for I would send
my beloved there. Not
of course forever:
I may want him
back sometime, not
permanently harmed but
severely chastened,
as he has not been, here
on the surface. What
shall I give him for
protection, what
shield that will not
wholly screen him? You must be
his guide and master: help him
shed his skin
as you do, though in this case
we want him
older underneath, maybe
a little mousy. I feel confident
you understand these
subtleties--you seem
so interested, you do not
slide back under your rock! Oh
I am sure we are somehow related
even if you are not
human; perhaps I have
the soul of a reptile after all.
I Used to Know That
To Kill a Mockingbird
rosie
In the Night Kitchen (,)
The Plague
Girl Interrupted
Phone Calls From The Dead
The Golden Mean
Since You Asked
Consider Love
Sunny Side Down
Gods, Graves, and Scholars
Call it Sleep
Ordinary People
White Noise
Waverley
Runaway Horses
Leaving Home
And here is the poem by Louise Gluck from my memorization:
The Rock
Insignia
of the earth's
terrible recesses, spirit
of darkness, of
the criminal mind, I feel
certain there is within you
something human, to be
approached in speech. How else
did you approach Eve
with your addictive
information? I have paid
bitterly for her
lapse, therefore
attend to me. Tell me
how you live in hell,
what is required in hell,
for I would send
my beloved there. Not
of course forever:
I may want him
back sometime, not
permanently harmed but
severely chastened,
as he has not been, here
on the surface. What
shall I give him for
protection, what
shield that will not
wholly screen him? You must be
his guide and master: help him
shed his skin
as you do, though in this case
we want him
older underneath, maybe
a little mousy. I feel confident
you understand these
subtleties--you seem
so interested, you do not
slide back under your rock! Oh
I am sure we are somehow related
even if you are not
human; perhaps I have
the soul of a reptile after all.
And on a side note in relation to the poet's relationship to their speaker, I was thinking, or maybe hoping, that everyone’s speaker has something that makes them whole that the writer doesn’t have— something separate from and outside of the writer that completes them.
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